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	<title>emmanuelleduret</title>
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	<pubDate>Mon, 31 Jan 2022 20:40:55 +0000</pubDate>
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		<title>ACCUEIL</title>
				
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		<pubDate>Sun, 30 Jan 2022 16:38:10 +0000</pubDate>

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		<title>Vivace</title>
				
		<link>https://emmanuelleduret.cargo.site/Vivace</link>

		<pubDate>Sat, 29 Jan 2022 18:30:44 +0000</pubDate>

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films noir et blanc numérisé, impressions jet d’encre, dimensions variées, 2020 - en cours

	
	RÉSIDENCE À VENIR
Vu Photo, Qc (CA)23.05.22 - 05.06.22




















Ce projet de
résidence prendra la forme d’une exploration photographique abordant les sujets
de la transmission, de la mémoire et du retour. En me concentrant à la fois sur
un espace naturel et un espace domestique, j’identifie des éléments et
construit un dialogue entre les notions d’enracinement et de déracinement, de mémoire
et d’oubli, de pérennité et de vulnérabilité. J’ai pensé aux vivaces comme à
des plantes survivantes. Elles résistent aux saisons, aux temps cléments comme
arides, elles reviennent, pour la plupart, années après années. Dans le cadre de cette recherche, l’espace du
jardin agit ici comme espace double. C’est un espace de travail et de
dédication, mais aussi de survivance et de transmission, une fiction pour
pouvoir aborder ta vie avant la déportation.

UPCOMING RESIDENCY

Vu Photo, Qc (CA)05.23.22 - 06.05.22

This residency project will unfold as a photographic exploration about the subjects of transmission, memory and return. By focusing on both a natural and a domestic space, I identify elements and draw a dialogue between the notions of rootedness and uprootedness, memory and oblivion, durability and vulnerability.
 I thought of perennials as surviving plants, they resist to the seasons, good and bad times, they come back, for the most part, year after year. For this project, the garden acts as a double space. It is a space of work and dedication, but also of reminiscence and transmission, a fiction to address your life before the deportation.
	
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		<title>Screen, Sedimentation</title>
				
		<link>https://emmanuelleduret.cargo.site/Screen-Sedimentation</link>

		<pubDate>Sat, 29 Jan 2022 21:01:50 +0000</pubDate>

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RESIDENCE À VENIR


Screen, Sedimentation : 1943 - to the present2022 -Centre d’artiste Daïmon, Gatineau (CA)
Cette résidence prendra la
forme d’une recherche exploratoire qui entrecroise des technologies analogiques et numériques (documents d'archives, photographies, films
et vidéos) afin d'interroger la plasticité et la réactualisation du triple rapport
mémoire - histoire
- territoire dans le présent.
	

	
	
UPCOMING RESIDENCY


Screen, Sedimentation : 1943 - to the present2022 -Daïmon artist run centre, Gatineau (CA)

This residency will unfold as an exploratory research that intertwines analog and digital technologies (archival documents, photographs, films and videos) in order to question the plasticity and the re-actualization of the triple relation between memory - history - territory in the present.
	
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		<title>Par bribes</title>
				
		<link>https://emmanuelleduret.cargo.site/Par-bribes</link>

		<pubDate>Sat, 29 Jan 2022 20:19:02 +0000</pubDate>

		<dc:creator>emmanuelleduret</dc:creator>

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	RESIDENCE À VENIR
Sagamie, centre d’artiste dédié à l’art contemporainrésidence à venir en 2023

Par bribes
2021 - photographies et films super 8Sagamie, centre d’artiste dédié à l’art contemporainrésidence à venir en 2023


Située à l'intersection de l'archive, de la photographie et du film, Par bribes prend forme à travers la production d'images inspirées de films super8 et de photographies provenant d'archives familiales. 
Ici, la mémoire est intimement liée à l'espace domestique, plus précisément aux rituels et à l'espace relationnel activés autour de la table à manger. La table devient ainsi un lieu métaphorique au sein duquel des éléments anodins, investis par les interactions, deviennent le réceptacle d'une transmission, de récits, d'une expérience vécue, jamais entière et intégrée, souvent transmis par bribes. La table devient ainsi un espace par lequel différents motifs agissent comme des tropes mémoriels et motivent un espace de projection, tantôt remémoré, tantôt fantasmé : un espace post-mémorial. 
Par la réutilisation d'archives photographiques et filmiques familiales, le projet déconstruit la linéarité temporelle et fait émerger des temporalités qui cohabitent par leurs anachronismes. L'extraction de détails d'archives et leur " reconstitution " photographique active le sentiment de déplacement inhérent à l'interprétation de ces mêmes détails. La réinterprétation des archives familiales trouve ainsi son sens entre fiction et réalité.

	
	

	
	
UPCOMING RESIDENCY

With the support of Sagamie , artist-run centre dedicated to contemporary artresidency to come in&#38;nbsp; 2023
Par bribes
2021 - photographs &#38;amp; super 8 films

Situated at the intersection of archive, photography and film, Par bribes take shape through the production of images inspired by super8 films and photographs from family archives. 
Here, memory is intimately linked to the domestic space, more specifically the rituals and relational space activated around the dining table. The table thus becomes a metaphorical space within which anodyne elements, invested by interactions, become the recipient of a transmission, of narratives, of a lived experience, never whole and integrated, often transmitted by snippets. The table thus becomes a space by which different motives act as memorial tropes and motivate a space of projection, sometimes remembered and sometimes fantasized: a postmemorial space. 
Through the reuse of family photographic and filmic archives, the project deconstructs temporal linearity and brings out temporalities that cohabit through their anachronisms. The extraction of archival details and their photographic "reenactment" activates the sense of displacement inherent in the interpretation of these same details. The reinterpretation of the family archives thus finds its meaning between fiction and reality.



	
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		<title>Boîte noire</title>
				
		<link>https://emmanuelleduret.cargo.site/Boite-noire</link>

		<pubDate>Sat, 29 Jan 2022 20:07:45 +0000</pubDate>

		<dc:creator>emmanuelleduret</dc:creator>

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	Boîte noire
2020 - en coursavec le support de Axenéo7, Gatineau (Ca)archives photographiques et photogrammes sur papier ilford




Le projet Boîte noire tente de poser une réflexion
sur les liens entre le témoignage, l’archive et la transmission
intergénérationnelle. Débutée en 2018, cette recherche prend pour point de
départ des documents historiques du camp de concentration de Dachau (1933-
1945) provenant des archives Bad Arolsen. Ici, le travail de l’artiste repose
sur les rapports (et tensions) entre savoir historique et savoir émotionnel
suscités par les documents. À cet égard, une double identité du document
d’archive est ici explorée : ce que le document révèle et ce qu’il cache. En ce
sens, une réflexion autour de la part déniée du document d’archive émerge grâce
à une exploration du médium photographique. Dans cette recherche, des documents
et photographies cohabitent pour interroger l’entrelacement de récit
historiques et personnels. Ainsi, une relecture des documents s’effectue grâce
à la transformation et aux combinaisons de ceux-ci. Ancrée dans la recherche,
ce projet se consacrera à explorer une manière d’écrire et de transmettre en
faisant image. Émanant d’une recherche discursive, un dialogue se formera entre
la photographie et la réappropriation afin de relire autrement l’archive.


	


	
	Black Box
2020 - ongoingwith the support of Axenéo7, Gatineau (Ca)

archival photographs and photograms on ilford paper
This project attempt
to reflect on the connections between testimonial, archives and intergenerational
transmission. Begun in 2018, the research is based on historical documents of the Dachau concentration camp (1933-45) kept at
the Bad Arolsen archives. Here, the
artist's work builds on the relationships (and tensions) between historical and
emotional knowledge raised by the documents. The dual identity of the archival
document is thus explored here: what it reveals and what it conceals. In this
sense, a reflection on the negated part of the archival document emerges
through an exploration of the photographic medium. Documents and photographs
coexist in this research to probe the intertwining of historical and personal
narratives. A re-reading of the documents is thus achieved through their
transformation and combinations. Rooted in research, this project focus on
exploring a way of writing and conveying through images. A dialogue stemming
from discursive research emerge between photography and re-appropriation to
re-interpret archives in a different way.


	
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		<title>Replica I</title>
				
		<link>https://emmanuelleduret.cargo.site/Replica-I</link>

		<pubDate>Sat, 29 Jan 2022 03:33:47 +0000</pubDate>

		<dc:creator>emmanuelleduret</dc:creator>

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/&#62;&#60;img width="2144" height="1424" width_o="2144" height_o="1424" data-src="https://freight.cargo.site/t/original/i/7cd6de21375d905b171d90cffd21122c197dbc973caadbbfe08025fdb9af298f/_DSC0672.jpg" data-mid="131840947" border="0"  src="https://freight.cargo.site/w/1000/i/7cd6de21375d905b171d90cffd21122c197dbc973caadbbfe08025fdb9af298f/_DSC0672.jpg" /&#62;&#60;img width="2059" height="1346" width_o="2059" height_o="1346" data-src="https://freight.cargo.site/t/original/i/59371bfbaf1950680d33bc986627c2c05df750729a15055c8c348466342bd0a4/_DSC0532.jpg" data-mid="131840969" border="0"  src="https://freight.cargo.site/w/1000/i/59371bfbaf1950680d33bc986627c2c05df750729a15055c8c348466342bd0a4/_DSC0532.jpg" /&#62;&#60;img width="2109" height="1401" width_o="2109" height_o="1401" data-src="https://freight.cargo.site/t/original/i/ba8455e54e983306c7cb56caa9473b396cf5751be58f0dcdef197c8332603a25/_DSC0524.jpg" data-mid="131840971" border="0"  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data-src="https://freight.cargo.site/t/original/i/1da627532dc5cd65bdee54cbefd6fcee75c9916c6e0fefb635a524f206788dbe/_DSC0612.jpg" data-mid="131840978" border="0"  src="https://freight.cargo.site/w/1000/i/1da627532dc5cd65bdee54cbefd6fcee75c9916c6e0fefb635a524f206788dbe/_DSC0612.jpg" /&#62;&#60;img width="2118" height="1425" width_o="2118" height_o="1425" data-src="https://freight.cargo.site/t/original/i/b2001d1e1fb327dc7fb5aaeab4fb3f4775cca61a072f71a40e3d208831b6ba16/_DSC0608.jpg" data-mid="131840984" border="0"  src="https://freight.cargo.site/w/1000/i/b2001d1e1fb327dc7fb5aaeab4fb3f4775cca61a072f71a40e3d208831b6ba16/_DSC0608.jpg" /&#62;&#60;img width="2121" height="1425" width_o="2121" height_o="1425" data-src="https://freight.cargo.site/t/original/i/72afdfd8c10b53a7b50061f7656b240ff2230b447acbf2415738ed633faa118b/_DSC0611.jpg" data-mid="131840991" border="0"  src="https://freight.cargo.site/w/1000/i/72afdfd8c10b53a7b50061f7656b240ff2230b447acbf2415738ed633faa118b/_DSC0611.jpg" /&#62;&#60;img width="2144" height="1424" width_o="2144" height_o="1424" data-src="https://freight.cargo.site/t/original/i/8b10aacb07f8228298d97fb0b1dcb6da76940dda087db85bfc78a2c1953c62d5/_DSC0642.jpg" data-mid="131840992" border="0"  src="https://freight.cargo.site/w/1000/i/8b10aacb07f8228298d97fb0b1dcb6da76940dda087db85bfc78a2c1953c62d5/_DSC0642.jpg" /&#62;
Vues d’installation / Installation views. photo : Pavel Pavlov &#38;amp; Emmanuelle Duret, 2021



	
	Die KZ und die Gedenkstätte : Replica I
2021 - 2022dans le cadre de SIGHTINGS 33commissarié par Julia Eilers SmithGalerie Leonard &#38;amp; Bina Elleninstallation photographique dans l’espace public

EXPOSITION
Die KZ und die Gedenkstätte : Replica I propose une réflexion sur la muséification des lieux de mémoire, dans ce cas-ci, le Mémorial du camp de concentration de Dachau, en Allemagne. Par le biais de la photographie, de l’archive, du texte et du design d’exposition, le projet tente d’interroger les rapports subjectifs et éthiques que le·la visiteur·se entretient avec ce site chargé par la perte et la destruction.

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ÉVÈNEMENT

Présentations et discussion en galerie17.11.2117h


Lire la suite
	

	
	
Die KZ und die Gedenkstätte : Replica I





2021 - 2022In the context of SIGHTINGS 33Curated by Julia Eilers SmithLeonard &#38;amp; Bina Ellen GalleryPhoto installation in public space


EXHIBITION

Die KZ und die Gedenkstätte: Replica I is a reflection on the museification of remembrance sites, in this case, the Dachau Concentration Camp Memorial Site, in Germany. Through photography, archives, text, and exhibition design, the project aims to question the subjective and ethical relationships visitors have with a site that is so highly charged by loss and destruction.

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EVENT

in-person presentations and discussion11.17.215pm

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	<item>
		<title>Vivre. Demeurer</title>
				
		<link>https://emmanuelleduret.cargo.site/Vivre-Demeurer</link>

		<pubDate>Sat, 29 Jan 2022 20:51:36 +0000</pubDate>

		<dc:creator>emmanuelleduret</dc:creator>

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&#60;img width="1650" height="1275" width_o="1650" height_o="1275" data-src="https://freight.cargo.site/t/original/i/d3c03000ab245b0557b952a12c88fe8410346568cabfce76d1cc2a9db0731a8a/VDL_005.jpg" data-mid="131862108" border="0"  src="https://freight.cargo.site/w/1000/i/d3c03000ab245b0557b952a12c88fe8410346568cabfce76d1cc2a9db0731a8a/VDL_005.jpg" /&#62;&#60;img width="1650" height="1275" width_o="1650" height_o="1275" data-src="https://freight.cargo.site/t/original/i/5a6b613679bdfbd2b40c4dc8e14bc8ded9595810fa9369b0f3870cafc1a4b27c/VDL_001.jpg" data-mid="131862110" border="0"  src="https://freight.cargo.site/w/1000/i/5a6b613679bdfbd2b40c4dc8e14bc8ded9595810fa9369b0f3870cafc1a4b27c/VDL_001.jpg" /&#62;&#60;img width="1650" height="1275" width_o="1650" height_o="1275" data-src="https://freight.cargo.site/t/original/i/078e028dd12aadb5a1b96a3c2e9c38440c402627c444ea5f69ce24f54837b7ca/VDL_007.jpg" data-mid="131862113" border="0"  src="https://freight.cargo.site/w/1000/i/078e028dd12aadb5a1b96a3c2e9c38440c402627c444ea5f69ce24f54837b7ca/VDL_007.jpg" /&#62;

&#60;img width="1650" height="1275" width_o="1650" height_o="1275" data-src="https://freight.cargo.site/t/original/i/275aa538eac6902daf6a502da6a2558b034740eb97afba063aef2db010559d64/VDL_006.jpg" data-mid="131862118" border="0"  src="https://freight.cargo.site/w/1000/i/275aa538eac6902daf6a502da6a2558b034740eb97afba063aef2db010559d64/VDL_006.jpg" /&#62;&#60;img width="2039" height="1200" width_o="2039" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7f0b789e058d22675db23a1e507b15af1b4f65c248c3fd648d2a499fa6f7f7bd/VDL_010.jpg" data-mid="131862122" border="0"  src="https://freight.cargo.site/w/1000/i/7f0b789e058d22675db23a1e507b15af1b4f65c248c3fd648d2a499fa6f7f7bd/VDL_010.jpg" /&#62;&#60;img width="2039" height="1200" width_o="2039" height_o="1200" data-src="https://freight.cargo.site/t/original/i/cd024e1b806dcf4d6515cf8dd29a7c9c3f306e0420ee0cbe94f9cae98db12381/VDL_008.jpg" data-mid="131862165" border="0"  src="https://freight.cargo.site/w/1000/i/cd024e1b806dcf4d6515cf8dd29a7c9c3f306e0420ee0cbe94f9cae98db12381/VDL_008.jpg" /&#62;&#60;img width="2039" height="1200" width_o="2039" height_o="1200" data-src="https://freight.cargo.site/t/original/i/b005824dfded4e4e66203a16c64e89f6fcf5b737c3dd926f056b748a77d8bfa3/VDL_012.jpg" data-mid="131862167" border="0"  src="https://freight.cargo.site/w/1000/i/b005824dfded4e4e66203a16c64e89f6fcf5b737c3dd926f056b748a77d8bfa3/VDL_012.jpg" /&#62;&#60;img width="2039" height="1200" width_o="2039" height_o="1200" data-src="https://freight.cargo.site/t/original/i/19e19de28a49461e0c8f29063fc8841fbbaa6dab4553a676442774064ac8af82/VDL_011.jpg" data-mid="131862169" border="0"  src="https://freight.cargo.site/w/1000/i/19e19de28a49461e0c8f29063fc8841fbbaa6dab4553a676442774064ac8af82/VDL_011.jpg" /&#62;&#60;img width="1877" height="1200" width_o="1877" height_o="1200" data-src="https://freight.cargo.site/t/original/i/092cf151c4bfda2a1cbd83374de79f0ce0b87f4e10814cc5eaf5a4fda28b6652/VDL_013.jpg" data-mid="131862187" border="0"  src="https://freight.cargo.site/w/1000/i/092cf151c4bfda2a1cbd83374de79f0ce0b87f4e10814cc5eaf5a4fda28b6652/VDL_013.jpg" /&#62;&#60;img width="1877" height="1200" width_o="1877" height_o="1200" data-src="https://freight.cargo.site/t/original/i/e9a2ae320b3be4c7eac342a8404c672d416abea9ceedb95233a4ec3ed94e759f/VDL_007.jpg" data-mid="131862189" border="0"  src="https://freight.cargo.site/w/1000/i/e9a2ae320b3be4c7eac342a8404c672d416abea9ceedb95233a4ec3ed94e759f/VDL_007.jpg" /&#62;&#60;img width="1964" height="1200" width_o="1964" height_o="1200" data-src="https://freight.cargo.site/t/original/i/366a511bbeb1abe11e753dce5d19fcdd96077ab4006cdc52667ce128dacb670d/VDL_014.jpg" data-mid="131862193" border="0"  src="https://freight.cargo.site/w/1000/i/366a511bbeb1abe11e753dce5d19fcdd96077ab4006cdc52667ce128dacb670d/VDL_014.jpg" /&#62;&#60;img width="1964" height="1200" width_o="1964" height_o="1200" data-src="https://freight.cargo.site/t/original/i/7e9cfe93ba52d024319dd81b47c2d3e1e6a7e27730e71d8e74f38a8ca0746d73/VDL_009.jpg" data-mid="131862197" border="0"  src="https://freight.cargo.site/w/1000/i/7e9cfe93ba52d024319dd81b47c2d3e1e6a7e27730e71d8e74f38a8ca0746d73/VDL_009.jpg" /&#62;
Vues d’installation / Installation views, 2021



	
	Vivre. Demeurer. Loger un être vivant ou une chose
2021Films super 8 numérisésUn film en boucle diffusé par deux projecteurs
Projections vidéos dans l’espace privé et public Québec, QC (CA)10.17.21 - 10.19.21












« Lors de la production du film Un Homme qui dort (1974), Perec avait l’idée d’une structure en sextine : un système, un protocole secret qui entremêle six lieux, six objets, six plans. Ici quatre espaces en forme un. Plus personne, enfin, personne que je ne connaisse, n’habitent l’appartement de la rue Daulac. Je m’habite des lieux, ils n’ont pas d’enracinement spécifique. »










Remerciements&#38;nbsp; / many thanks&#38;nbsp;Philip, Sarah, Marianne, Andreanne, Frederique, Pavel, Steven, Alexandre, Suzanne, 1er Ovation, centre d’artiste Avatar &#38;amp; Niagara Custom Lab.







	
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		<title>Discreet Inscenatory Effects</title>
				
		<link>https://emmanuelleduret.cargo.site/Discreet-Inscenatory-Effects</link>

		<pubDate>Sat, 29 Jan 2022 20:40:50 +0000</pubDate>

		<dc:creator>emmanuelleduret</dc:creator>

		<guid isPermaLink="true">https://emmanuelleduret.cargo.site/Discreet-Inscenatory-Effects</guid>

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Discreet Inscenatory Effects1
2020 pellicule argentique N&#38;amp;B numériséeimpression jet d’encre sur papier hahnemühle dimensions variéesencadrement par Martin Schopcollections privées (CA)remerciements à&#38;nbsp; Edmond Duret
Série photographique débutée en 2019, dans le cadre d’une visite de l’exposition permanente du mémorial du camp de concentration de Dachau, en Allemagne. Ces photographies font partie d’une recherche plus vaste sur l’expographie des lieux de mémoire marqué par la violence. Le&#38;nbsp;point de vue, la prespective, le noir et blanc canalisent une réflexion sur&#38;nbsp; les liens entre la photograhie, la perte, la mémoire, les tensions pathiques et didactiques issues des stratégies muséales de transmission.
1 Some designers/architects who create
exhibitions in memorial sites (as well as in political sites) charge the
architecture and the materials with metaphorical meaning. Angular walls are to
evoke a feeling of uncertainty. Black or grey as the basic colour convey an
allusion of danger and horror. Stainless steel and bright neon light
communicate an impression of modernity. Rusty iron generates a sense of decay,
brutal secrets, harshness, and relates to the materiality of weapons.
Metaphorically charge-up materials and colours are one element used in
functional exhibition designs. In the exhibitions in Dachau since 1965, these
constituted some of the discreet inscenatory effects.



Schmidl, M. (2010). Post-War exhibition
Design: Displaying Dachau, Köln: Walther Koenig, p. 58-59


	
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		<title>INFO</title>
				
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		<pubDate>Sat, 29 Jan 2022 03:21:26 +0000</pubDate>

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à proposEmmanuelle
Duret vit et travaille à Tiohtià:ke / Mooniyang Montréal. Elle a complété un
baccalauréat en arts visuels et médiatiques, une mineure en histoire de l’art
et termine actuellement une maîtrise en arts visuels et médiatiques à
l’Université du Québec à Montréal. Elle a effectué des résidences de recherches
et présenté son travail lors de projets solos, d’expositions collectives,
notamment à VU photo, Avatar et la Galerie Leonard &#38;amp; Bina Ellen (Sightings 33)&#38;nbsp;
















Sa
pratique engage une approche interdisciplinaire et conceptuelle et sollicite à
la fois gestes historiographiques et artistiques. Elle écrit, photographie,
filme, afin d’explorer les limites et les liens entre texte, image, espace,
mémoire et histoire. Ces projets en cours gravitent autour des lieux de
mémoires, de l’expographie des mémoriaux, ainsi que de la transmission
intergénérationnelle. 





aboutEmmanuelle Duret lives and works in Tiohtià:ke / Mooniyang Montreal. She owns a bachelor's degree in visual and media arts, a minor in art history and is currently completing a master's degree in visual and media arts at University of Quebec in Montreal. Beside doing research residencies, she has presented her work in solo projects and group exhibitions, notably at VU photo, Avatar and&#38;nbsp; Leonard &#38;amp; Bina Ellen Gallery (Sightings 33).&#38;nbsp;Her practice is interdisciplinary and conceptual and involves both historiographical and artistic gestures. She writes, photographs and films in order to explore the limits and links between text, image, space, memory and history. Her current projects revolve around sites of remembrance, expography of memorials, and intergenerational transmission.
contact


	
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		<title>NEWS</title>
				
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		<pubDate>Mon, 31 Jan 2022 20:40:55 +0000</pubDate>

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en cours / current
RESIDENCY
2021 - 2022Metal casting at Atelier La CouléeMontréal, QC (CA



à venir / upcoming


2023
FIELD RESEARCH
Annemasse and Geneva borderFrance and SwitzerlandSummer 2023
RESIDENCYCentre Sagamie 4.17.23 - 4.21.23

Alma, QC (CA)

SOLO EXHIBITION
QC (CA)



2022
RESIDENCY
Screen, Sedimentation : 1943 to the presentartist in residence programDaïmon, artist run centre(date to be confirmed)Gatineau, QC (CA)

SOLO EXHIBITION
Montréal, QC (CA)




FIELD RESEARCHDachau concentration camp memorial site &#38;amp; Allach sub-camp historical site Dachau &#38;amp; Ludwigsfeld settlement (DE)Summer 2022




RESIDENCY
VivaceVU photo, artist run centre05.23.22 - 06.05.22Québec, QC (CA)



passé / past

2021
EXHIBITION PROJECT IN PUBLIC SPACE
Die KZ und Die Gedenkstätte : Replica I
Sightings 33Curated by Julia Eilers SmithPresented by Leonard &#38;amp; Bina Ellen Gallery

Sept. 2021 - Jan. 2022-
In person presentations and discussion
(in Gallery)
Emmanuelle Duret, Maria Juliana Angarita and Jennifer Carter (PhD)


11.17.21&#38;nbsp; 5 - 6 pm
Montréal, QC (CA)







RESIDENCY

Atelier La Coulée

2021 - 2022



Montréal, QC (CA) 

FUNDRAISING EXHIBITION
Diagonale artist run centre11.11.21 - 12.04.21Montréal, QC (CA)


VIVRE. DEMEURER. LOGER UN ÊTRE VIVANT OU UNE CHOSE

video installation in private &#38;amp; public space
10.17.21 - 10.19.21



Québec, QC (CA)









ALTERNATIVE GROUP RESIDENCYOrganised by Pavel Pavlov07.10.21 - 07.20.21presentation &#38;amp; discussion 07.19.217 pmGatineau, QC (CA)


PROJECT COLLABORATIONStagnating in Obscurity, Awaiting Discovery
as part of&#38;nbsp; the exhibitionMoving Through Time and Space - a selection of video works by David Tomas02.26.21 - 04.24.21Online premiere 04.15.21 5:30 pmDazibao artist run centre Montréal, QC (CA)


WORKSHOP
Artwork display &#38;amp; documentation in one’s own &#38;amp; alternative space
Art Matters FestivalMontreal, QC (CA)01.25.21 1 - 3 pmOnline

2020
RESEARCH RESIDENCYBoîte noireAxenéo7 artist run centreLa filatures10.12.20 - 10.25.20Gatineau, QC (CA)MÉMOIRE / OUBLI (postponed)Group exhibition organised by the graduate art history association (ACSHA)09.24.20 - 09.30.20CDEX, University of Québec in MontréalMontréal, QC (CA)NARRATIFS GÉOPOLITIQUESConversation in the context of the MFA students research conferenceonline05.29.201pm
2019FIELD RESEARCHDachau concentration camp memorial site ( historical site and archives) &#38;amp; Allach sub-camp historical site (DE)September 2019











I’VE BEEN THINKING
 Collaborative homage exhibition project in urban spaceOrganised by Karine Savard06.02.19 - 09.15.19 Montréal, QC (CA)




DOUBLE PRISE / DOUBLE TAKEEmmanuelle Duret, Manoushka Larouche &#38;amp; Catherine LescarbeauCurated by David TomasPresented by PDF11.04.19 - 29.04.19 , 5445 de Gaspé street, E6-21 Montréal, QC (CA)Opening 11.04.197pm
2017IN PRESENCEA month-long exhibition that challenges artist and viewer in the ways in which we can witness and experience performance artOrganized by Tom Maio
April 14th to May 4th, 2017FAIRE HALTEA performance by Janick Burn in&#38;nbsp; collaboration with Laurence Beaudoin Morinphotographed by Emmanuelle Duretdans le soucioccuper les espaces indéfinispar le corps vu, le corps voyant, le corps invisiblevacillantqui même au repos résistefaire halteprendre corps03.28.177pmEspace Cercle Carré, 36 Queen street, Montreal, QC (CA)admission free
2015
LABORATOIRE DE CRÉATION
GROUP RESIDENCY
Christophe Barbeau
Martin Désilets
Emmanuelle Duret

Charles Fleury

Andréanne Gagnon

Hubert Gaudreau

Catherine Lebel Ouellet

Open to public

12.11.15 - 12.13.15

VU Photo artist run centre

Québec, QC (CA)




GROUP RESIDENCY Presented by Le lieu, artist run centreQuébec/Boston 2015 exchange between Le Lieu centre en art actuel (QC) and&#38;nbsp; Mobius (Mass)Christophe Barbeau, Emmanuelle Duret, Steven Girard &#38;amp; Frédérique Hamelin.05.02.157pmMobius, Inc., 55 Norfolk St Cambridge, Massachusetts (USA)S'ILS N'ONT PAS PEUR C'EST QU'ILS SONT FOUSperformance art event01.15.158pmRoulement à billes studio, 336&#38;nbsp; Sainte-Hélène streetQuébec, QC (CA)
2014
ENCANLe lieu centre en art actuel artist run centreQuébec, QC (CA)11.12.145pm
THE CIRCUMSTANTIAL LIGHTBOXresidency &#38;amp; exhibitionResidency 04.07.14 - 04.11.14Exhibition 04.11.14 - 04.13.14Avatar artist run centre

Québec, QC (CA)





2013QUEBEC CONTEMPORARY ART FAIR10.18/13 - 10.20.13580, côte d'Abraham street,&#38;nbsp; l'Oeil de Poisson gallery,Québec, QC (CA)FACE À FACE, PLI SELON PLIEmerging photographers, group exhibitionEmmanuelle Duret, Andréanne Gagnon and Marc-André Jésus05.26.13 -&#38;nbsp; 06.26.13VU Photo artist run centre

Québec, QC (CA)

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